Âge de lecture: 3-6 ans
Résumé:
Exaspéré par les souris qui ont envahi son moulin, le meunier achète un gros chat tigré pour les chasser.
Mais celui-ci se révèle fort peu doué pour cette tâche. Les malicieuses petites souris décident alors d'aider leur ennemi juré à reprendre confiance en lui !
Le classique de la drôlerie... Une foule de surprises qui réjouiront tous les enfants !
#Chat #Souris #Meunier #Moulin #Confiance en soi
Claude (Jean-Pierre Léaud), a young Frenchman is persuaded by his friend Anne, an outgoing British artist, to join her on a trip to Wales to meet her sister Muriel. So begins a complex and destructive ménage-à-trois as the permissive Claude falls for both sisters.
Extras: François Truffaut filming Two English Girls excerpted from POUR LE CINEMA – Truffaut interviewed by France Roche – The Truffaut trailer collection
Famous scholar Pierre Lachenay (Jean Desailly) becomes infatuated with an airline stewardess during a lecture tour and hopelessly pursues the doomed affair into a maze of lust and deceit.
Extras: François Truffaut talks about Françoise Dorlac – Truffaut discusses selected scenes from the film – The Truffaut trailer collection
Bernard Coudray (Gérard Depardieu) is an unassuming father in a loving marriage, but his life is thrown into turmoil when a former lover, Mathilde Bauchard (Fanny Ardant), unwittingly rents a neighbouring house with her husband.
Extras: Feature length commentary with Veronique Silver – Interview with Fanny Ardant (1986) – The Truffaut trailer collection.
(aka Confidentially Yours)
The cautious tale of a wealthy real estate agent (Jean-Louis Trintignant) wanted for the murder of his wife's lover. But his secretary refuses to condemn him and sets out to investigate the case herself.
Manipulative murderess Camille Bliss (Bernadette Lafont) holds a mysterious charm over her unwitting male victims. When Camille is visited in prison by a naïve criminology student (André Dussollier-Lemming) he soon emerges as her next tale to be told.
Extras: The making of A Gorgeous Girl Like Me – interviews with François Truffaut and Bernadette Lafont – Original Theatrical Trailer – The Truffaut trailer collection.
Paris, at the end of the 30s. Laura (Natalie Portman) and Kate Barlow (Lily-Rose Depp) are two young sister fortune tellers, just finishing a European tour. Exhausted by the tour and faced with the competition of new practices,, they meet André Korben (Emmanuel Salinger), a big cinema producer. He is a controversial visionary; the owner of the largest cinema studio in France, using the latest American techniques to keep his company ahead of the pack. Out of a desire to test his own scepticism and a keen sense of curiosity, Korben invites the two sisters to hold a private séance; the result turns his world upside down. He is so disturbed that he offers them a contract to try out ambitious experiments on film. He tells himself that cinema must innovate and surprise to evolve, that he can make the first truly authentic ghost film. But Laura quickly gathers that Korben has other, more secret reasons for having employed them. Together they end up forming a strange family as the onset of World War II approaches.
On the night of her 29th birthday, fun-loving Marie meets quiet comic book artist, Paul. During an evening of drinking and dancing they are drawn to each other, and happily go home together at the end of the night.
When Marie wakes the next morning, it is 12 years later. She is married to Paul, is the CEO of a large multinational company and has a young son – but no memory of the intervening years. To make matters worse, her marriage is on the rocks, and Marie must now do everything she can to win back the man she loves.
Master filmmaker and champion of The French New Wave, Jean-Luc Godard crafted two of cinema's most dynamic stories in Breathless and Contempt. Filmed in 1965, Pierrot le Fou (also known as Pierrot Goes Wild and Crazy Pete) is a relentless tale of love-on-the-run.
Ferdinand "Pierrot" Griffon (Jean-Paul Belmondo, Breathless) is a man at a crossroads in his life. His marriage is dull and family life has all but taken over from the spontaneity of past years. Marianne Renoir (Anna Karina, Alphaville) re-enters his life as a babysitter and Ferdinand seizes an opportunity to escape his drudgery, leaving his wife and family behind to be with the rekindled love of his life.
But his mystery mistress is not all she seems to be and soon Pierrot is caught up in a perilous mix of crime and mayhem, chased through the French countryside all the way to the Mediterranean.
Based on the novel Obsession by Lionel White, Pierrot le Fou is an energetic and subversive journey into the outer reaches of romance in the classic Godard tradition.
Based on a best-selling novel by Olivier Adam (the co-writer of Philippe Lioret's Welcome), Against the Wind is a deeply moving family drama with immense depth and heart.
One morning, Sarah (Audrey Tautou) vanishes, leaving her husband Paul (Benôit Magimel, The Piano Teacher, La Haine) and their young son and daughter reeling, without a word as to her whereabouts or a clue about when she will return. As time passes, Paul anxiously but tenderly tries to sustain some sense of normalcy and after a year, in an attempt to start over, he reluctantly returns to his coastal home town. There, he takes a job as a driving instructor, reunites with his estranged brother and befriends a local police officer (Isabelle Carré). But still he dreams of Sarah, refusing to let go. Why did she leave, and will she return?
Ignored and neglected by his parents, twelve-year-old Antoine Doinel (Jean-Pierre Léaud) is considered a troublemaker at school, with luck seemingly never on his side, it is Antoine who ends up getting the blame for bad behaviour. Finding refuge only in his love of cinema, Antoine soon finds it necessary to break free, and discover what the world can offer outside the confines of his everyday life.
Extras: Les Mistons, François Truffaut's 1957 Short Film (18 mins) – Original theatrical trailer – François Truffaut filmography
During the Nazi occupation of France, Marion Steiner (Catherine Deneuve), star and owner of a small theatre, stages a new play in an attempt to keep the theatre and Lucas, her Jewish husband, alive. The atmosphere becomes charged with fear when an anti-Semitic journalist settles into the stalls.
Extras: Introduction to the film – François Truffaut Collection Trailers – Truffaut interviewed upon the film's release (1980) – The Cesar Awards 1981 – An unreleased scene – Original Theatrical trailer
Known for stylistically adventurous films like Last Year At Marienbad, French director Alain Resnais transitions to a self-consciously subdued form in Mélo. Adapted from the 1928 play by Henri Bernstein, the film follows the evolving love triangle between a violinist's wife and his best friend. "Mélo" is short for melodrama, and the film offers a wonderful exercise in that tried-and-true form.
On getting engaged, Thomas (Max Boubil) meets his future father-in-law Gilbert (Alain Chabat), married for 30 years to Suzanne (Sandrine Kiberlain). Gilbert, disillusioned, feels that he missed out on life by getting married. He persuades Thomas not to marry his daughter Lola (Mélanie Bernier) and to dump everything along with him. They then drive into a wild new life as big kids, convinced that freedom lies elsewhere.
One night in a provincial French city, Marc (Benoit Poelvoorde) meets Sylvie (Charlotte Gainsbourg) after missing his train back to Paris. They wander the streets until morning, talking happily about everything except themselves, in rare, almost choreographed, harmony.
They arrange to meet again and Marc takes the first morning train back to Paris. When misfortune befalls Marc and prevents him from keeping the date, he searches for Sylvie.....only to find someone else: Sophie (Chiara Mastroianni). What Marc doesn't realise is that Sophie is Sylvie's sister. When Marc and Sylvie inevitably meet again, they find their unparalleled harmony still blossoms.......but is it too late?
In the middle of a winter storm, Ursus, a travelling salesman, saves two orphans who have been lost in the swirling snow and howling winds: Gwynplaine, a young boy who has been facially disfigured with a scar which makes him look like he is constantly smiling, and Dea, a young blind girl. Many years later, when both are grown, the adoptive family travel together and put on a show where Gwynplaine has become a star. People come from all around to see "The Man Who Laughs" as he entertains them with his unique comic talents. This succes begins to open doors for Gwynplaine and bring him celebrity and riches, but at the same time distances him from the two people he has always loved most in the world, Dea and Ursus. Based on the classic best-selling book from Victor Hugo, the man who brought Les Misérables to the world.
Nicholas and his family are off to the seaside for a summer vacation, and the result is a film filled with rich humour, moments of childhood nostalgia, hilarious blunders and misunderstandings across three generations.
The first movie adaptation of Goscinny and Sempé's classic series was a worldwide hit, and this second instalment is sure to enchant children and grown-ups alike.
Léa Seydoux (Blue Is The Warmest Colour, Farewell My Queen) delivers on her promise as France's next breakthrough star with her astonishing performance in Sister, Ursula Meier's internationally-heralded and extraordinariily moving new drama about two siblings searching for a place in the world.
12-year-old Simon (Kacey Mottet Klein) lives with his restless older sister Louise (Seydoux) at the base of the Swiss Alps. Every day he takes the cable car to the ski resorts above to pilfer from rich tourists, while Louise drifts through a series of part-time jobs and promiscuity, sometimes disappearing for days on end. In her absence, Simon forges a strong bond with a wealthy tourist and his fragile relationship with his sister fractures into dangerous new territory..........
The basis for hit TV show The Returned, They Came Back is a nail-biting sci-fi thriller.
One morning, the residents of a small French city wake up to discover thousands of recently dead people walking into town. The reason why is a mystery and there is no time to look into it. Hasty reunions – some passionate, some strained – occur with the survivors. But can they be reintegrated into society when their jobs have been filled and their partners have moved on?
As officials try to figure out what to do with them, the dead begin behaving in bizarre ways and it becomes apparent that the returnees are not exactly who they used to be.....
There is definitely something boyish about 10-year-old Laure (Zoé Héran), who has recently moved to a new neighbourhood with her parents and younger sister. It's summertime and all the other local children are playing outside. Laure's loneliness is breached when she meets Lisa (Jeanne Disson), who adopts Laure into her circle of friends believing her to be a boy. Laure becomes Michaël, and no sooner has she brought about this 'transformation' than she begins joining in with the frequently boisterous activities. Sciamma creates a vivid and naturalistic chronicle of childhood, replete with its codes of conduct. As with so many aspects of the film, the casting and handlign of the almost exclusively non-professional child actors is impeccable. Newcomer Héran is a revelation and the decision to cast her real-life friends adds both to the drama, the camaraderie and the film's implicit and quite incredible chemistry.
The Breach
Hélène Régnier (Stéphane Audran, Babette's Feast) is a good mother with a chequered past as a stripper and barmaid. She divorces her ne'er-do-well husband (Jean-Claude Drouot, Le Bonheur) and her in-laws blame her for causing her husband's addiction and set out to remove their grandchild from Hélène's custody. Thwarted by the courts they hire a seedy penniless operative, Paul (Jean-Pierre Cassel, The Discreet Charm of the Bourgeoisie), to destroy her reputation. He mooves into her rooming house and begins to insinuate himself into her life, hatching darker and more convoluted plots to implicate Hélène. A harrowing thriller from France's master of suspense. La Rupture ranks among Claude Chabrol 's finest works.